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Asian Geyser
In Madagascar anything can happen. The unknown and exotic stimulates our imagination and so it is enough to imagine and in an instant springs an explosive Icelandic geyser on a tropical beach. The surreal has no limits in the author's fertile mind.
In Madagascar anything can happen. The unknown and exotic stimulates our imagination and so just imagine and in an instant gush an explosive Icelandic geyser on a tropical beach. The surreal has no limits in the author's fertile mind.R$19.500R$23.516 -
R$3.000R$2.520Manabu Mabe – Frio (1988) – Gravura 70×50
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R$3.150R$2.646Manabu Mabe – Festival (1995) – Gravura 50×70
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R$1.200R$1.008Manabu Mabe – Aki – Gravura Ed. Póstuma 70×50
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R$4.500R$3.780Manabu Mabe – Amor n.1 (1979) – Gravura 65×50
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Rome in Flames
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.Nero não dispunha de ferramentas digitais ou de fotografia como atualmente recorre-se autor para extravasar suas narrativas mentais. Sendo assim nero não se conteve em sua imaginação e ateou fogo em roma para ter referências visuais para sua obra imagética. Na foto, captada em Roma no ano de 2015, o autor ainda pôde flagrar algumas dessas chamas e realçá-las para tele-transportá-las de sua imaginação para a tela.
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R$2.750R$2.310Manabu Mabe – Lago de verão (1987) 65×45
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R$4.800R$4.032Manabu Mabe - Kairyu - Ocean Current - Print 56 x 70
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R$4.500R$3.780Manabu Mabe - Ji - Engraving 48 x 64
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R$3.000R$2.520Manabu Mabe – Elegante (1987) Gravura 70×50
R$3.000R$2.520
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.
