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炎のローマ
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.Nero não dispunha de ferramentas digitais ou de fotografia como atualmente recorre-se autor para extravasar suas narrativas mentais. Sendo assim nero não se conteve em sua imaginação e ateou fogo em roma para ter referências visuais para sua obra imagética. Na foto, captada em Roma no ano de 2015, o autor ainda pôde flagrar algumas dessas chamas e realçá-las para tele-transportá-las de sua imaginação para a tela.
R$8.716 – R$13.516 -
Manabu Mabe – Sem Título – Gravura Assinada 50×35
Gravura “Sem Título” de Manabu Mabe (50 x 35 cm), assinada, em estado perfeito de conservação. Obra autêntica do acervo familiar, disponível na Smart Gallery.
R$3.200R$2.688Manabu Mabe – Sem Título – Gravura Assinada 50×35
R$3.200R$2.688 -
R$3.800R$3.192Manabu Mabe – Folhas Mortas (1995) – Gravura 90×70
R$3.800R$3.192 -
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R$750R$630 -
ブルーミントフライ
Digital photography captured in 2018 worked in digital brushstrokes coloring the vegetation with the vibrant blue tone that gives the work its name. The scent of basil attracted the artist to the realization of the photo while attracting the butterfly. The result was a vibrant contrast recorded in art.
Fotografia digital captada em 2018 trabalhada em pinceladas digitais colorindo a vegetação com o tom azul vibrante que dá nome à obra. O aroma do manjericão atraiu o artista para a realização da foto ao mesmo tempo que atraiu a borboleta. O resultado foi um contraste vibrante registrado em arte.R$17.333 – R$24.500 -
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Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.
Digital photography captured in 2018 worked in digital brushstrokes coloring the vegetation with the vibrant blue tone that gives the work its name. The scent of basil attracted the artist to the realization of the photo while attracting the butterfly. The result was a vibrant contrast recorded in art.
