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Aldemir Martins - Gato (2000)
“Adquira ‘Gato’ (2000) de Aldemir Martins, pintura original de 50×50 cm, assinada e com informações no verso. Uma peça única para colecionadores de arte brasileira contemporânea.”
R$20.000Aldemir Martins - Gato (2000)
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Symmetrical Flagrant
At the most intimate moment of the couple the author managed to find a symmetrical and colorful artwork. In the couple's most intimate moment, the author managed to find a symmetrical and colorful work.
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Mare di Veneto
The conquerors of the Veneto archipelago erect palaces facing the sea. Between deep blue and playful seagulls, the Venice Sea, which for many is a mere highway, creates in the author's mind the atmosphere conducive to the launch of world explorers out.
The conquerors of the Veneto archipelago build palaces facing the sea. Between the deep blue and the playful seagulls, the sea of Venice, which for many is a mere highway, creates in the author's mind the atmosphere conducive to launching explorers from around the world.R$8.716 – R$13.516 -
R$3.000R$2.520Manabu Mabe – Justo (1984) – Gravura 70×50
R$3.000R$2.520 -
Rome in Flames
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.Nero não dispunha de ferramentas digitais ou de fotografia como atualmente recorre-se autor para extravasar suas narrativas mentais. Sendo assim nero não se conteve em sua imaginação e ateou fogo em roma para ter referências visuais para sua obra imagética. Na foto, captada em Roma no ano de 2015, o autor ainda pôde flagrar algumas dessas chamas e realçá-las para tele-transportá-las de sua imaginação para a tela.
R$8.716 – R$13.516 -
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At the most intimate moment of the couple the author managed to find a symmetrical and colorful artwork. 
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.
