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R$2.750R$2.310Manabu Mabe – As lágrimas da estrela (1999) – Gravura 65×50
R$2.750R$2.310 -
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R$2.750R$2.310Manabu Mabe – Céu Limpo (1996) Gravura 65×65
R$2.750R$2.310 -
Iwao Nakajima – Sem Título (1990) Quadro 38×46
Obra de I. Nakajima, “Sem Título” (1990), pintura em óleo sobre tela (38 x 46 cm), com moldura artesanal. Em excelente estado, proveniente de acervo familiar.
R$12.000 -
Rome in Flames
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.Nero não dispunha de ferramentas digitais ou de fotografia como atualmente recorre-se autor para extravasar suas narrativas mentais. Sendo assim nero não se conteve em sua imaginação e ateou fogo em roma para ter referências visuais para sua obra imagética. Na foto, captada em Roma no ano de 2015, o autor ainda pôde flagrar algumas dessas chamas e realçá-las para tele-transportá-las de sua imaginação para a tela.
R$8.716 – R$13.516 -
R$2.000R$1.680Manabu Mabe – Festival de Imigração (1988) – Gravura 45×35
R$2.000R$1.680 -
Simplicity
In the author’s point of view, there is nothing as liberating as simplicity. After all the sophistication possible and after eliminating everything that was excessive, what stays and what works is simple.Na visão do autor, não há nada tão libertador quanto a simplicidade. Depois de toda a sofisticação possível e depois de eliminar tudo o que estava excessivo, o que fica e o que funciona é o simples.
R$8.716 – R$12.516 -
Antonio Tavares Calló – Centro Cultural Oscar Niemeyer
Screen printing numbered 1 to 100
40 × 70 cm
R$480 -
Nero did not have digital tools or photography as currently uses author to extravasate his mental narratives. Thus nero did not hold back in his imagination and set fire to rome to have visual references to his imagery. In the photo, captured in Rome in the year 2015, the author could still catch some of these flames and highlight them to teleport them from his imagination to the screen.
In the author’s point of view, there is nothing as liberating as simplicity. After all the sophistication possible and after eliminating everything that was excessive, what stays and what works is simple.
